Wooden Os: Shakespeare’s Theatres and England’s Trees.
The Indistinct Human in Renaissance Literature. Co-edited with Jean E. Feerick.
Queer Renaissance Historiography: Backward Gaze. Co-edited with Stephen Guy-Bray and Will Stockton.
“Shakespeare’s Queer Pastoral Ecology: Alienation around Arden,” ISLE: Interdisciplinary Studies in Literature and Environment 23.3 (Summer 2016): 564-82.
“‘No Wood, No Kingdom’: Planting Genealogy, Felling Trees, and the Additions to The Spanish Tragedy,” Modern Philology 110.2 (November 2012): 202-25.
“Shakespeare’s Globe and England’s Woods,” Shakespeare Studies 39 (2011): 54-63.
“Shakespeare’s Penknife: Grafting and Seedless Generation in the Procreation Sonnets,” Renaissance and Reformation 32.1 (Winter 2009): 83-106.
Shorter Articles and Essays
“Afterword.” In Queer Shakespeare: Desire and Sexuality, ed. Goran Stanivukovic (London: Bloomsbury Arden, 2017), pp. 279-94.
“Remembering Premodern Environs.” In Object Oriented Environs, eds. Jeffrey Jerome Cohen and Julian Yates (Brooklyn, NY: punctum books, 2016), pp. 179-83.
Contribution to “Shakespeare’s Tweets: A Choir.” The Shakespearean International Yearbook (2015): 63.
“Guest Column: Wooden Slavery,” PMLA 126.2 (March 2011): 313-15. Reprinted as “Wood.” In Fueling Culture: 101 Words for Energy and Environment, eds. Imre Szeman, Jennifer Wenzel, and Patricia Yaeger (New York: Fordham University Press, 2017), pp. 376-78.
Published and Forthcoming Book Chapters
“Environ.” In Veer Ecology: An Ecotheory Companion, eds. Jeffrey Jerome Cohen and Lowell Duckert (forthcoming from University of Minnesota Press).
“Disability Figures in Shakespeare.” In The Oxford Handbook of Shakespeare and Embodiment, ed. Valerie Traub (Oxford: Oxford University Press, 2016), pp. 455-67.
“Wooden Actors on the English Renaissance Stage.” In Renaissance Posthumanism, eds. Joseph Campana and Scott Maisano (New York: Fordham University Press, 2016), pp. 195-220.
“Greener.” In Prismatic Ecology: Ecotheory Beyond Green, ed. Jeffrey J. Cohen (Minneapolis: University of Minnesota Press, 2013), pp. 147-69.
“Swervings: On Human Indistinction.” Co-authored with Jean E. Feerick. In The Indistinct Human in Renaissance Literature, pp. 1-12.
“The Wooden Matter of Human Bodies: Prosthesis and Stump in A Larum for London.” In The Indistinct Human, pp. 119-36.
“The Secrets of Grafting in Wroth’s Urania.” Co-authored with Miriam Jacobson. In Ecofeminist Approaches to Early Modernity, eds. Jennifer Munroe and Rebecca Laroche (New York: Palgrave Macmillan, 2011), pp. 175-94.
“Felling Falstaff in Windsor Park.” In Ecocritical Shakespeare, eds. Lynne Bruckner and Dan Brayton (Farnham: Ashgate, 2011), pp. 123-38.
“Queer Renaissance Historiography: Backward Gaze.” Co-authored with Stephen Guy- Bray and Will Stockton. In Queer Renaissance Historiography: Backward Gaze, pp. 1-11.
“Grafted to Falstaff and Compounded with Catherine: Mingling Hal in the Second Tetralogy.” In Queer Renaissance Historiography, pp. 149-69.
“William Percy.” In The Encyclopedia of English Renaissance Literature, eds. Garrett A. Sullivan, Jr. and Alan Stewart (Malden, MA: Blackwell Publishing, 2012), pp. 777-79.
“Thomas Randolph.” In The Encyclopedia of English Renaissance Literature, eds. Garrett A. Sullivan, Jr. and Alan Stewart (Malden, MA: Blackwell Publishing, 2012), pp. 820-21.