I specialize in English Renaissance literature, especially Shakespeare. I also have research interests in ecotheory, plant studies, queer studies, and disability studies.
My first book, Wooden Os: Shakespeare’s Theatres and England’s Trees (University of Toronto Press, 2013), brings into view the forest and the trees of Renaissance drama: it explores the surprising connections among Shakespeare’s theatre, drama set “in the woods,” and an environmental crisis that propagandists claimed would lead to an eco-political collapse – an unprecedented scarcity of wood and timber. I propose that, in performance, the material woodenness of theatre could have activated such environmental anxiety and temporarily mitigated it. The Society for Theatre Research short-listed it for the 2013 Theatre Book Prize.
Degrees: BA (Penn.), PhD (Duke)
Office: BuTo 425
Telephone Office: 604-822-4462
email: email@example.com; Twitter: @Nardizzi1
My current project, Marvellous Vegetables: Plants and the Poetry of Description in the English Renaissance, explores the relationships between poetry and botanical natural history in sixteenth- and early-seventeenth-century England. Its focus is the conceptualization of both kinds of writing as forms of description: the method of the poet and the naturalist in this period was “to describe.” Cross-disciplinary, multilingual, and transatlantic in its objects of study, this project examines figurations of plants in English poetry; it also investigates the use of classical and vernacular poetry as evidence for identifying new or unknown plants and for describing morphology and medicinal application in texts such as John Gerard’s Herball. I develop this argument about poetic description in four case studies that are designed to encompass exotic and native plants, to span high and low social registers, and to track the colonial movement of plants across oceans, cultures, and languages. Akin to entries in an herbal, these studies illuminate the surprising place of laurel trees, leeks, tulips, and tobacco in the period’s poetry and natural history. They also help spotlight the hitherto unexamined – but central – place of these plants in the field of English Renaissance studies.
With Stephen Guy-Bray and Will Stockton, I have edited Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009), and, with Jean E. Feerick, I have co-edited The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). With Tiffany Jo Werth, I am currently co-editing a volume of essays, Premodern Ecologies in the Modern Literary Imagination (forthcoming from the University of Toronto Press); with Robert W. Barrett Jr., I am co-editing a special issue of postmedieval called “Premodern Plants.” With colleagues at UBC, Simon Fraser University, and the University of California, Davis, I co-convene “Oecologies: Inhabiting Premodern Worlds.”
I won a Killam Teaching Prize in 2011 and received a Dean of Arts Faculty Research Award in 2018. I was in residence at the Peter Wall Institute for Advanced Studies in 2014-15. I have received research funds from the Folger Shakespeare Library, the Henry E. Huntington Library, the Shakespeare Association of America, and the Social Sciences and Humanities Research Council of Canada (Insight Development, Connection, and Insight Grants).